LSE SU CHINA DEVELOPMENT FORUM 2012– China’s Reform Phase II 2012 中国发展论坛

As anyone who has talked with me about China knows, I am dismissive of British ruling class attitudes to China. Those who still write the country off as a totalitarian kleptocracy which has grown rich only by exploiting peasants,in which every half educated person is gagging to overthrow the regime, should attend a student conference on China.

This month I have attended two. At the Warwick Forum I was a speaker but at the LSE I had nothing to do but listen to the professors and buy sale cialis super force au editors from China and watch the audience. The level of the speakers at both events was high – economists from Tsinghua, LSE and Peking, sociologists and media people from Chicago, Peking and Hong Kong. None appeared to have any ideological baggage. They discussed China pragmatically:  it’s political system as one with both credits and debits; a people with the right and duty to work together with all other Chinese of good faith – and that includes most politicians – to iron out the problems that impede a commonly shared goal.

The audience listened intent, laughing at the incredible, taking issue with weak arguments, supplementing proposals. Hundreds wanted to ask questions, ideas poured out. The enthusiasm was everywhere. The conference went two hours overtime. It was supposed to be in English but about half way through everyone started talking Chinese and the interpreters found themselves servicing the English monoglots rather than the Chinese visitors.

The conference programme can be found on http://www.lsecds.org/forum/cdf2012/

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Yan Lianke’s novel about politics and buy online pharmacy viagra politicians

Many modern Chinese novels depict corrupt officials – the excellent description of the housing crisis in Shanghai, WoJu, A Home of My Own, for example, or the amazing series about the career of a young official, Guanchang Biji, Notes from Officialdom.  But it is the novelist Yan Lianke’s depiction of an ambitious young politician’s quest for advancement during the Cultural Revolution, Tough like Water, that, it seems to me, carries a fearsome message about Chinese politics and perhaps about politics in general.

His message seems to be that if there have to be professional politicians then it is essential to give them ways of advancing that do not require them to destroy those they want to supplant; it is essential to find ways of controlling them so that they do not sacrifice other people and everything they feel they need to destroy on their way to power.

In Tough like Water, Yan gives us the seizure of power in a village by a young, ambitious man during or before the 1970s. Because there is no mechanism for the transition to a new generation or interest group, he uses cruel methods and causes damage to many people in order to get his gang in and replace the existing power holders. The interests of the citizenry and society are completely ignored, although he always claims that he is motivated only by idealism and zeal to serve others.  It is a brilliant exposition of the mind of a politician, whose motivations and behaviour are similar the world over, though limited and 200mg vardenafil price usa channelled of course by the system in which he or she has to operate.

Gao, the protagonist, is an unprincipled, ambitious young thug of few abilities who therefore chooses the world of politics in which to succeed. Before the age of enterprise, politics or war were the main ways in which young men might make their mark. To himself, Gao justifies his urge to power by his desire to prove himself worthy of his mistress, the pretty wife of a neighbour, with whom he can reach the heights of sexual excitement when they are contemplating or celebrating his political victories.

Gao can only rise if he oust the power holders of his village and, since there are no elections, he can only do this by coup, which involves either killing them or destroying the bases of their power, and/or by impressing the policy makers at the higher level. Maoism gives him the tool in the right to attack, humiliate and ultimately destroy those who run the village; to keep up the pretence that this is an ideological struggle he tries to eradicate traditional customs, buildings and memorials. At one point he finds that someone has been burning incense and launches a witchhunt. The local chief is more concerned about Gao’s neglect of the farmland but Gao puts politics first.

There is a disaster looming in that the crops have been ignored in the enthusiasm to make revolution, ie change the powerholders. When warned that to expend energy pulling down the ancestral temple is not only a distraction at a time of crisis in the fields, but will also so alienate the peasants as to make it impossible to motivate them to work, Gao finds a compromise. He won’t actually pull down the temple but he will inflame a mob of his devotees – the yobs and misfits of the village – to break into the temple and burn the contents. As this in accordance with ideological instructions from on high, the old guard dare not stop it. What it achieves is that it demonstrates his, Gao’s, power. He is very happy to see burn the fruit of hundreds of years of scholarship and devotion, the records of past generations and cialis sans ordonnance republique tcheque the very soul of his village, for his temporary personal advantage.

Worse will come. The two cudgel their brains as to how they can topple the local chief, a be- medalled veteran of the Korean and Vietnamese wars,  and, carefully paying attention to his behaviour in meetings, suspect that he is having illicit relations with a woman official. In pursuit of evidence, they visit the chief’s home village (some two days’ distance, no telephones or email) where they are welcomed with generous hospitality as visiting officials by the villagers. Astonished by the relative affluence of the village – no-one is starving, there is even plenty of surplus food and there are unheard of luxuries in meat and eggs, they soon discover that, thanks to the chief, this village has never collectivised, but the villagers have been allowed to retain their own smallholdings rather than to work as the slave labour of an official, as elsewhere. No wonder it is so successful!

Feigning admiration, the visitors gather evidence on the grounds that this is a marvellous model which must be promoted widely; the success of it will certainly result in the chief being rewarded (after all, care of the peasants, ensuring their ability to feed themselves, must come first mustn’t it?). When they hear that the woman they wanted to pin illicit sexual relations on is in fact the chief’s sister in law, the wife of another army hero, they are even more excited; the naive villagers help their guests gather evidence of her involvement too.

The ambitious couple leave so thrilled that they just cannot stop making love in celebration;  in between bouts of passionate copulation they vie to promote each other to higher and higher positions and eagerly looking forward to getting staff posts in the hierarchy ‘without the duty to labour’. To the reader this is absurd. How can these runts imagine that, just by shopping an able official who has, by being unideological, managed to look after his charges, they can be promoted to senior positions? Yet so it is. The chief, war hero notwithstanding, and several of his associates get 20 years in prison camp – life with death, in other words – and the label of rightist which will plunge their families into the abyss of the persecuted forever. And the young upstarts are on a roll. Power is theirs. Chauffeured cars, big offices, the right to pull down buildings and rearrange gardens and make or break others will be theirs.

The author’s message here seems to be this: without a transparent method of selecting and promoting power holders, China is condemned to this kind of abuse.

The second point is that professional politicians are maybe always meretricious and immoral. Look at Tony Blair – he helped kill or main a million Iraqis to advance himself as an international celebrity. The protagonist of this novel works on a smaller scale, but the deal is the same.  This kind of person exists in every society; fortunate is the society that can harness their energies to constructive rather than destructive purposes and also, perhaps, force them to wait for power until experience has matured them into some sense of social responsibility.

As to ideology, it is what politicians use to advance themselves; their ability to persuade others of its validity is their skill; ideology can always be made to trump reality. Look at these English examples: dogmatic monetarism, multi-culturalism, ‘real books’ reading and ‘access’, all ideological positions with dysfunctional results for those over whom the ideologists want to exercise power.

Yan Lianke is a powerful writer about something that matters. Unfortunately the only one of his books so far in English is Serve the People, a story of how sexual passion breaks taboos and undermines political shibboleths.

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Wherever you are

When the Chinese colonel and I sang a duet together in London recently I was taken back to balmy days in the Boy Scouts, when there was an England. Then we sang songs which reinforced a clear idea of who we were and how distinct are our values; just like the Chinese soldiers today. We did not need to wait for the occasional royal wedding or funeral to remember who we were.

The songs the 20 Chinese officers sing include pop songs and folk songs and patriotic songs. They have a repertoire which, I have discovered, is shared by many Chinese, students or officials or housewives or pensioners, started on at primary school and then enriched at a hundred dinner parties and outings. Although few of the songs are nationalistic, in fact most are love songs, the singers’ whole demeanor exudes confidence and pride in their country. And why not? Not only do they come from the world’s most ancient surviving civilization, with innumerable contributions to humanity to its credit, but they have, after 200 years of struggle, fused the essence of Chineseness with the technologies of modernity and created the entity which looks as if it may dominate the world, and that quite soon. In the course of this endeavour, Chinese attitudes to and perceptions of the world have changed as fast as the skyscrapers have gone up. Have ours?

I don’t know, but what I do know is that singing matters and that we have just as much right to be confident and proud of our country as they. Former Secretary of State Michael Forsyth, when he led the Scottish Young Conservatives (yes, there were some once; I was President of one very active unit) published a song book. But today, hardly any Brits can sing for fun. I know. I host a great many parties at which Chinese sing and Brits droop. That surely must reduce their social lives, their joy and their sense of belonging. Mr Malone is brilliant to have galvanised those forces’ wives to sing – but why was it necessary? Why is singing part of everyone’s daily happiness in China but not here?

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SOAS&CMC Spring Seminar:

The next China Media Centre seminar will take place on Wednesday 22rd February between 4-6pm at Westminster University’s New Cavendish Campus, in room C1.04.

Prof Michel Hockx from SOAS, University of London, Dr. Mei Hong, Assistant Professor from Southwest Jiaotong University and Prof David Gauntlett from University of Westminster, will give a talk with the title ‘China: the New Media Explosion’, You can find more details about the speakers and an abstract of the talk below.

SOAS& CMC 2012 Spring Seminar

CHINA: THE NEW MEDIA EXPLOSION


Speaker: Prof Michel Hockx, Dr. Mei Hong

Interrogator: Prof David Gauntlett

Date: Wednesday 22nd February, 2012

Time: 4-6pm

Venue: C1.04 New Cavendish Campus, University of Westminster,

Chair: Prof Hugo de Burgh

OPEN TO ALL


ABSTRACT:
This lecture introduces the history, development, and widespread popularity of Internet Literature (wangluo wenxue 网络文学) in the People’s Republic of China. The speakers will deal in turn deal with two discrete aspects of the phenomenon, namely the rise of online popular fiction and its impact on other media, and the significance of online practices for the more marginal genre of poetry.

BIOGRAPHY:
Michel Hockx is Professor of Chinese at SOAS, University of London. Born and raised in The Netherlands, he obtained his PhD in 1994 from Leiden University for a thesis on modern Chinese poetry. His later work has dealt with various aspects of the sociology of modern Chinese literature, including the study of early modern literary societies and literary magazines and, more recently, the study of Internet literature. His monograph Internet Literature in China is forthcoming with Columbia University Press.

David Gauntlett is Professor of Media and Communications, and Co-Director of the Communications and Media Research Institute, at the University of Westminster. His teaching and research concerns people’s use of media in their everyday lives, with a particular focus on creative uses of digital media. He is the author of several books, including Creative Explorations (2007) and Making is Connecting: The social meaning of creativity, from DIY and knitting to YouTube and Web 2.0 (2011). He has made several popular YouTube videos, and produces the website about media and identities, Theory.org.uk. He has conducted collaborative research with a number of the world’s leading creative organisations, including the BBC, Lego, and Tate.

Mei Hong is a vice professor of Communication Department of Art and Communication College, Southwest Jiaotong University, China. She obtained her PHD in 2006 from Sichuan University for a thesis on Culture and Communication. She is interested in media and society and has published a book on Internet Literature.

 

 

More about China Media Centre and seminars wee: https://chinamediacentre.org/

If you have any queries about CMC events, please contact Miao MI at m.mi@my.westminster.ac.uk

 

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Jeremy Paxman and Bai Yansong spoke at the Future of Public Media workshop in Beijing

China Media Centre hosted leading TV stars as they shared insights on the opportunities for potential China-UK media partnerships

Jeremy Paxman (principal news and current affairs presenter, BBC), Wang Hui (Head of Communications, City of Beijing) in the chair, Bai Yansong (principal news and current affairs presenter, CCTV)

Jeremy Paxman and China’s leading current affairs presenter and writer Bai Yansong joined Paul Jackson and David Morgenstern, from the UK television industry, at the the Future of Public Media workshop organised by the China Media Centre of the University of Westminster and the Communications University of China. The event took place in Beijing, China, on 12 January 2012.

The full-day workshop explored common experiences and challenges facing public media organisations in China and the UK. Contributors came from academic, journalistic, policy and business backgrounds and investigated where common interests and potential partnerships can exist despite real differences in media systems, giving participants the chance to identify areas of common interest and build the foundations for future partnerships.

 

The four visiting British speakers at the conference, with the Conference Director, Professor Hu Zhengrong. (From left to right: David Morgenstern, Paul Jackson, Professor Hu, Jeremy Paxman and Professor Hugo de Burgh)

Key speakers attending the workshop included:

From the United Kingdom

  • Jeremy Paxman, the UK’s leading current affairs presenter.
  • Paul Jackson, an outstanding UK TV producer, former executive producer of BBC and ITV’s entertainment departments.
  • David Morgenstern, former director of BBC’s entertainment programme development department, currently Director of 10 Star company’s Programme R & D Department.
  • Prof Hugo de Burgh, Director of China Media Centre, University of Westminster.

From China:

  • Prof Hu Zhengrong, Deputy President of Communications University of China, Chairman of Chinese Media Research Association and the Honorary Doctor of the University of Westminster
  • Bai Yansong, China’s leading current affairs presenter and writer.
  • Yang Hua, Deputy Director of the CCTV News Centre
  • Zhang Haichao, Deputy General Manager of China International Television Corporation (CITVC)
  • Ren Xue’an, Deputy Director of CCTV Channel 1

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