Innovation and cialis brand side effects creativity in UK broadcasting

This course, of which we have now delivered 50, is designed to introduce the TV producers from China to as many aspects of the subject as possible in a packed four weeks of lectures, visits and workshops, with the emphasis always on the practical and the detail. Starting with over-views from leading figures in the industry on the fast-changing media environment, the delegates were then given a series of presentations by the programme-makers themselves covering a comprehensive range of genres: from entertainment block-busters to children’s programmes, investigative journalism to quizzes, news and current-affairs to life-style and reality TV.

To pick just a few highlights from the schedule of 18 speakers:

  • Public and commercial broadcasting: past, present and most importantly, the future, by the high-profile commentator, former channel-head and kostengunstiges viagra presenter of BBC’s Media Show
  • A step-by-step description of the creative process by the person responsible for one of the most successful formats in history, the BBC’s Strictly Come Dancing, from brainstorm to transmission
  • An analysis of the ten things you need to know about an audience from the programme strategist of the world’s largest production company
  • Case-studies by award-winning documentary makers who use cutting-edge techniques and whose programmes have brought about social change
  • How to create channels and content for children of all ages or for niche audiences
  • Facing the challenge of new media and using it to reach audiences in innovative ways across the range of platforms
  • A master-class by a three-times-BAFTA winner on writing a production script and how to direct a studio, followed by a practical multi-camera exercise involving all the delegates recording a music performance

Every talk was intended to do more than just look in depth at particular examples of great television, but also to give the delegates clear insights into the skills, techniques and processes that underpin broadcasting in the UK, insights which they could take back with them to apply to their own programme-making in China.


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CAN WEIBO CHANGE CHINA?

China Media Centre 2012 Autumn Seminar

CAN WEIBO CHANGE CHINA?

Weibo and Ideal Communication Situation in China

Speaker: Professor Junchao Wang

Chair: Professor Hugo de Burgh

Date: Wednesday 14th November 2012

Time: 2pm-4pm

Venue: A7.1

OPEN TO ALL

“To be or not to be, that is the question.” But to the Chinese Micro-blogging site Weibo, Hamlet’s famous soliloquy is not a question; the question is whether or not Weibo will able to change China. The speaker will discuss the following four aspects:

1) Can Weibo be considered a Habermasian ‘public sphere’ in China?

2) Will the ‘Weibo community expert committee’ completely replace official instructions?

3) Will Weibo turn into a free market for public opinions by gradually eliminating or diminishing online rumors?

4) Can Weibo eliminate ‘systematically distorted communication’ so as to realize the ‘ideal communication situation’?

Professor Junchao Wang, Tsinghua University. Dr Wang obtained his Ph.D. from the J-School of Renmin University in 2000. He joined the School of Journalism and Communication, Tsinghua University in 2002 from his previous post as a Senior Editor for the Overseas Edition of People’s Daily, where he had worked for eight years. He was Faculty Visiting Researcher at Georgetown University in 2007 and Visiting Reseacher at Goldsmith and レビトラ Oxford Internet Institute in 2012. His Chinese publications include Media Criticism: Origins, Criteria and Methods (2001, Beijing Broadcasting Institute Press), Third Eye on Mass Media (2009, Tsinghua University Press), New Perspectives on the Communication Strategies of the CCP Newspapers (2009, Tsinghua University Press, Author of the first Volume in the series), 25 Lectures on Mass Media (co-edited, 2004, Tsinghua University Press). He has published more than 40 papers in Chinese on micro blogging and expression, media criticism, media and society, and journalism studies.

Dr. Wang is a media critic with ten years’ experience in media criticism teaching and practice. He has served as media adviser for the China Business Times since 2002, CCTV-Focus On Program in 2004. He has also been involved in two national social science projects on the development of Chinese news commentary and communication strategies of CCP newspapers respectively. He is now the principal investigator (PI) of “The Freedom of Expression and Ideal Communication Situation of Micro blogging” which is supported by The Humanities and Social Sciences Fund of the Ministry of Education. He founded and propecia suisse prix acted as the former editor-in-chief of the first media criticism website in Mainland China in 2007.He has been the Deputy Director of Tsinghua University News Centre during July 2010-June 2012 and simultaneously the joint Chief Editor of the official news website of Tsinghua University, which is of great help to his new media criticism research.

More about China Media Centre and seminars see https://chinamediacentre.org. If you have any queries about CMC events, please contact Hong Li at hong.li@my.westminster.ac.uk

 

 

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China Media Centre 2012 Autumn Seminar Series 1

China Media Centre 2012 Autumn Seminar 1

Media, Politics and Crisis Management in China

Speaker:  Dr Steven Guanpeng Dong  清华大学 董关鹏博士

Date: Thursday, 4th October 2012

Time: 2pm-4pm

Venue: A 7.4

OPEN TO ALL

 

Dr Steven Dong is the Chair and Director, Institute of Public Relations and Strategic Communications, Tsinghua University. Dr Dong is also Vice President, China Public Relations Association (CPRA) and Shorenstein Fellow on the Press, Politics and Public Policy, Kennedy School of Government, Harvard University.

 

More about China Media Centre and seminars see https://chinamediacentre.org/

If you have any inquiry about CMC seminars, please contact Hong Li at hong.li@my.westminster.ac.uk

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Soft Power and the Creative Industries: China and Britain

Palace of Westminster

Wednesday, 25 April 2012

The Chinese Government has just committed itself to using ‘culture’ and ‘public diplomacy’ as a driver to increase global understanding about China. This reflects concern that China must do better in promoting its culture at home and abroad; recognition of the part that the creative industries will play in boosting domestic demand; determination that ‘made in China’ be replaced by ‘created in China’.

To demonstrate that commitment, Vice-President Xi Jinping recently attended the signing of a major creative industry deal between Shanghai Media Group and the famous USA Dreamworks Group. Vice-President Xi’s attendance was a sign of the grasp of the importance of the creative industries at the highest level.

The implications for Britain of these culture industry initiatives by China:

The British Government wants many more business links between the UK and Chinese creative industries. The UK is recognised as being one of the most advanced creative industry centres in the world and Chinese companies know this. The UK has been a global leader in cultural industries and public diplomacy since the foundation of the British Council and the BBC in the 1930s. The government of both countries are determined to increase cooperation.

The Forum was opened by Minister Zhao Qizheng, Chairman of the Foreign Affairs Committee of the CPPCC, and spokesperson for the CPPCC. Until recently head of the State Council’s Information Office, he is acknowledged as the pioneer of China’s public diplomacy.

The Forum on April 25 at the Palace of Westminster drew UK attention to the recent policy changes in China, extrapolated on the implications for Britain, and provided a valuable occasion for our creative businesses to identify opportunities, and for ministers and parliamentarians to understand the potential of China partnerships.

FINAL Soft Power and Creative Industries Programme

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China: Literature and political reform

Today it was reported that Wen Jiabao, once again, has called for faster political reform at the end of the National Peoples’ Congress. There have been many political reforms over the past 30 years, to say nothing of social changes that have made the country more open. So what’s he worried about? Well, since he warned that he thought that turmoil of the order of the Cultural Revolution might be on the cards if China does not deal with this matter, he seems to be saying that the gulf between the power holders and the powerless is too great. That cataclysm was to a large extent about the fact that a greedy minority had got its hands on all the power and all the food and many people bitterly resented it. Sadly for the victims, the brutality was often deflected onto relatively powerless people, such as intellectuals on the survivors of the slaughter of the ‘bourgeoisie’ in the 1950s.

But today the situation is not the same. Vast numbers of people are much better off than before and the country as a whole is succeeding in improving life in every facet, which was definitely not the case before the 1980s.  Little by little officials are subject to scrutiny and procedures – from peer review to elections to the Freedom of Information Law – that oblige them to be more accountable. And New Media has frightened the baddies and encouraged good behaviour.

What Wen is probably worried about are two great gulfs; first that between the highly educated, public spirited and competent central government policy world and the local officials with their immense power and their inclination, as always in Chinese history, to enrich themselves; then there’s the gulf between the latter and ordinary people, who find their efforts to run their businesses stymied by corruption and political obstruction. The state is both catalyst of change but also able to stifle it. The Party interferes in everything too, from investment decisions to court cases, ostensibly on ideological grounds.

It’s not only the Chinese Prime Minister who is concerned. Our famous commentators, from Neil Ferguson to Peter Hitchens, Will Hutton to Jeremy Paxman all opine. Their underlying themes, it seems to me, are twofold: how will China use its power in the emerging world order in which the USA is not the ‘predominant hegemon’ to use a Chinese expression, and whether the Chinese political system is fit for purpose, or whether it will collapse under pressure from a dissatisfied citizenry and because of its inability to control corruption.

Martin Jacques in his thought provoking WHEN CHINA RULES THE WORLD has made a good start on thinking through the first issue, but on the second, raised onto the domestic agenda again yesterday by Wen Jiabao, our great commentators are not very satisfying not only because they hold to the ideological position that the only workable government model is that of Anglo-America, but also because it’s really hard to know what’s going on.

Among a few others, the American academic Shambaugh writes very well on Chinese government, McGregor has done a good book on The Party and Kerry Brown at Chatham House has published a stimulating book on elections in China,Ballot Box China. They all help scope the field and they all tell us about the brilliant people at the top.

But the book that offers a deep insight into Chinese government at the local level – for me, at any rate – is a novel. A Civil Service Diary by Mouse tells the story of a young graduate in his first years as the lowest of all civil servants in a poor rural parish. Badly treated by his superiors because he has no contacts, he struggles to serve the peasants in his charge by getting built the road which will link them to civilization, allow them to sell their produce, make enterprise worthwhile and raise their standard of living.

Every stage of his battle with bureaucracy, his search for funding, his efforts to persuade villagers to give up land and contribute labour, his persuasion of the planning department to hand over the specifications, his need to grease palms to get permissions – every one is there. The detail is riveting because it all rings true. Young Mr Hou is a very competent operator in a world in which interpersonal relations, the ability to build networks and the guile to avoid corruption and its attendant dangers are vital skills.

The novel hides nothing. There are officials who have the youngest and newest girls at the local brothel reserved for them; there are the fund managers who demand payoffs for releasing mortgages and grants; at one point a government investigation team beats up Mr Hou and tortures him with sleep and food deprivation.

But at the same time there are able and decent people fighting that China may succeed and people get opportunities and material conditions that their parents could not dream of. You realise that what we call corruption can exist side by side with public spiritedness and dedication, sometimes in the same persons.

At the end of volume 1 Hou is elected to an important position in the teeth of the establishment, which does everything it can, bar breaking the law, to get his name expunged from the candidates’ list. Until Hou’s local colleagues submitted his name as a candidate with the requisite number of local signatures, no—one had ever stood against the official list. The local Party Secretary is incensed and his machinations as he tries to find ways of annulling or undermining the vote are comic; the shame of the official candidate who, in the elections, is knocked out by Hou, is awful, because we know that the ambitious competitor has built his hopes of future job security, achievement, marriage and reputation on winning.

There are 9 more volumes to go and I am going to read every one of them.

Today’s Chinese literary renaissance is like nothing so much as that of Victorian England. On this, I will keep you posted.

http://www.cps.org.uk/blog/q/date/2012/03/14/china-literature-and-political-reform/

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